#Daft punk songs on youtube plus#

But since thatвЂ™s not the case, playing it twice, three times even, is certainly an option. The track is at once dense and spacious, two musicians providing a vast and meditative space thatвЂ™s as much gorgeous as it is seemingly peacefully unresolved, as if these six minutes could double or triple, and the overall effect wouldnвЂ™t diminish in the slightest. ItвЂ™s only natural that sheвЂ™d find a kindred musical spirit with guitarist Paul Sukeena, though on вЂњDidnвЂ™t See the Comet,вЂќ itвЂ™s not harp that forms the basis of its misty atmosphere, but synth. The sound most often associated with Mary Lattimore is her harp, an instrument that takes on otherworldly qualities when plucked by her hands, fed through effects and echoing into the ether. Mary Lattimore & Paul Sukeena вЂ“ вЂњDidnвЂ™t See the CometвЂќ ItвЂ™s among the most softly beautiful pieces in HutchingsвЂ™ repertoire, but thereвЂ™s a sense of mysticism and mystery as well, and a touch of melancholy, encompassing a vast range of emotions while embracing stillness. вЂњBlack meditation,вЂќ the first track heвЂ™s shared from the upcoming digital only release, is something different altogether, an ambient layering of woodwinds that speaks to its title in how it captures a kind of gorgeous calm. Later this month, Shabaka Hutchings will release his first solo record after nearly a decade straight streak of music from his three different but connected bands, Sons of Kemet, The Comet is Coming, and Shabaka and the Ancestors. SheвЂ™s arguably always been at least country influenced, but with a track like вЂњBig Time,вЂќ she goes whole hog with the vintage Nashville sound that really sells the big-hearted sentiment of вЂњ IвЂ™m lovinвЂ™ you big time.вЂќ IвЂ™ll be the first to admit that the title at first made me think of Peter Gabriel, but OlsenвЂ™s brief foray into вЂ™80s nostalgia didnвЂ™t carry over here, instead finding her pursuing yet another new direction with the warmth and richness of detail to make it as gorgeously affecting as any of her best songs from prior albums.

The two tracks that Angel Olsen has shared from her upcoming album Big Time have pointed to a particular direction that sheвЂ™d never fully committed to before, but which I think we all know she could probably pull off beautifully: Country. ItвЂ™s no exaggeration to say this is one of ShearwaterвЂ™s most beautiful songs, but given whatвЂ™s come before, itвЂ™s certainly saying a lot.ДЇrom The Great Awakening, out June 10 via Polyborus And yet despite that reticence to rise above a haunting calm, it feels grand all the same, a string-laden slow-burn that could stand among the best moments of BjГ¶rk or Radiohead at their most elegantly understated. вЂњAqabaвЂќ is firmly the latter, a track that seems as if it could erupt into a grand exclamation in its final moments, but never really does.

ShearwaterвЂ™s historically swung between disparate and complementary poles, be it boldly dramatic art-pop statements or chilling and intimate ballads.

#Daft punk songs on youtube plus#

Plus listen to our ongoing 2022 Essential Tracks playlist. Country-tinged singer/songwriters, innovatively arranged industrial rap, meditative ambient jazz and more. For reasons that arenвЂ™t very interesting or worth explaining, we missed our weekly roundup of Essential Tracks last week, so weвЂ™re offering a slightly longer list this week of songs you need to hear.